From sublime nature to climate crisis
Fascination with nature is not a new phenomenon in art history. At the beginning of the 19th century, artists were in many ways the discoverers of Norwegian nature, and created depictions of a violent nature through sublime artworks. At the beginning of the 20th century, there was a change in such depictions related to our intervention in nature. Our attempt to tame nature, channel waterfalls through pipes and develop an extensive industry in the heart of Norwegian nature was portrayed as a sign of new and better times. In modern times, human intervention in nature has, among other things, resulted in political art and protest art that thematises nature conservation, climate change and natural disasters.